It’s always refreshing to come across a new, original voice in jazz. Alchemy is the debut recording by Berlin-based tenor saxophonist, Robert Menzel, who has worked with the likes of trumpet player Till Brönner and drummer Günter Sommer since studying at the Dresden College of Music.
His playing might be described as brooding and introspective, a far cry from the blues and gospel traditions one tends to associate with the instrument, but there is also plenty of variety on display here, with touches of humour and even hints of free-jazz in his playing, too.
Menzel is accompanied by a fine band, which consists of Clemens Pötzsch on piano, who also contributes a couple of tunes, Robert Lucaciu on bass and Philipp Scolz on drums. The album’s title reflects the fact that each ingredient adds something to the recipe, and so it proves here, with each band member adding their own distinct touch.
Titles such as Kühl Und Distanziert (Cold And Distant) and Grübeln (To Brood) suggest a dark intensity, but Menzel has a keen ear for melody, too. The former starts with simple, repetitive phrase, which gradually opens up, as if the musician slowly allows his real feelings to become known. Grübeln sees the band improvise beneath his playing, the chattering percussion, courtesy of Scolz, a stand-out here.
The Stupidity Of Modern Man is another highlight, opening with piano and bowed bass, before Menzel comes in with his world-weary tone. There’s some exciting interplay between Pötzsch and Scolz as Menzel’s solo builds to a climax, again demonstrating the strength of the band as a unit.
The Pötzsch original, Night Song, which brings the album to a close, starts with a lengthy piano intro, before drawing out a rousing, passionate solo from Menzel, whilst Ich Sehe Nichts is more free in style, but sufficiently grounded to still fit with the rest of the album.
Two cover versions add a touch of humour to the proceedings, with versions of Wind Of Change (Scorpions) and even Barbie Girl (Aqua). Menzel demonstrates that if we distill these most annoying of rock/pop songs back to their very essence, a good melody remains. Barbie Girl – with its long – and beautifully recorded – bass intro, was particularly enjoyable.
Alchemy was released earlier this year on London-based Two Rivers Records, who have introduced us to an impressive array of new talent. Take the time to check out Robert Menzel when you get the chance; hopefully he’ll be back on these shores in the months ahead – we’ll keep you posted.