Our Editor

image

Matthew Ruddick

Editor
Author of Funny Valentine, an acclaimed new biography of the jazz trumpet player and singer, Chet Baker.
  • 1
Wednesday, 17 February 2016 15:36

Wild Card, 9th January, Oliver’s Jazz Bar, London

Written by 
    Authors Ranking: Authors Ranking
Rate this item
(2 votes)
Le jazz qui enchante.

Years ago, when I first moved to South-East London, I lived for a long while in Greenwich. I now live nearby, but one of my favoutite haunts is Oliver’s Jazz Bar in Nevada Street - a truly dark and beautiful jazz club. This is also the place where Clement Regert and his band, Wild Card, often perform.   

Last month I went to see them play; tightly packed on the small stage, there is such freshness and joie de vivre in the band, it is compulsive viewing.

Clement opens the show with a tune by the great Horace Silver, but it is his second track, A Day Like No Other - written by the young guitarist on becoming a dad, that strikes a chord with me. I realize how new and different Clement’s sound is.  Adam Glasser on harmonica adds a moving touch to the piece.

Sitting in the crowd at Oliver’s means that you can be so close to the musicians and this, to me, is not just a bonus, but a privilege. One can witness every move, every effort and every note played.  

The band don’t just play jazz, but also some fusion, funk, and afro tunes.  

On listening to another track written by Clement about his mother, Manic Phase, one realizes what a good writer he is. A moving piece.

The second set opens with Asparagus Moment II. Clement cannot explain to the public why it is called like that, but simply adds that “it is complicated”, which brings a smile to everyone’s face. It is a funny title, but contains a clever solo by the inventive Adam Glasser on piano.

My favourite track of the night is one written by Chick Corea, a ballad called Crystal Silence - Adam Glasser on piano and harmonica creates an amazing atmosphere. The cacophony and noise in the background by some of the people in the audience fails to impact the true beauty of the music. 

Softly As In A Morning Sunrise, a stunning track jazz standard, gives the young Sophie Alloway on drums a chance to shine - beauty and talent in one.   

There's a surprise guest appearance by Francesco Lo Castro, the talented guitarist whose playing on the night reminds me of the great Pat Martino, but whose great and unique personality adds a trump card to Clement’s night of fusion jazz. 

Keep your ears and eyes open for this clever band, with their revolving line-up, and their wondrous mélanges to come!

 

Line up: Double-bass: Flo Moore, Piano/ Harmonica: Adam Glasser, Drums: Sophie Alloway, Guitar: Clement Regert 

Words: Erminia Yardley

Photo: Carl Hyde 

 

Read 4004 times Last modified on Wednesday, 17 February 2016 17:40

Our Contributors

image

Rob Mallows

London Jazz Meetup owner and fan of ‘plugged in’ jazz.
 
image

Simon Cooney

By day a full time Londoner in tv news. By night jazzaholic
 
image

Fernando Rose

I love my jazz and I bless the funk. I play percussion for all and sundry and go by @Mr Cool.
 
image

Grae Shennan

Laboratory scientist with a love of evolving music that defies boundaries. 
 
image

Hilary Robertson

Jazz-obsessed freelance writer and saxist.
 
image

Kim Cypher

Saxophonist, vocalist, composer, band leader and radio show presenter. Follows dreams and loves to celebrate great music and musicians.
 
image

Fiona Ross

Fiona is the founder of the award winning organisation Women in Jazz Media. She was the guest editor in chief for the 2020 edition of Jazz Quarterly and writes for many publications across the globe.
 
image

Wendy Kirkland

Jazz pianist and singer with wide musical tastes spanning latin through fusion to bebop and swing. Cat fanatic.
 
image

Elana Shapiro

From Manchester, currently living in Berlin. Lover of jazz, RnB, and soul inspired music.